Seven tracks, ready for industry preview.
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1. ALONE
Alone is a contemplative, bittersweet ballad, grounded in guitar and drums, with vocals that drift in a detached, almost disembodied tone. The lyrics convey a sense of impending change — the quiet tension of realizing that something has shifted, without knowing what comes next. The track unfolds as a rise rather than a fall, propelled by arrangements that move from a tense, deconstructed drum solo toward an airy instrumental climax. « Dark Red » by Steve Lacy meets « Beware of Darkness » by Georges Harrison.
2. CARATS
Carats is a luminous, mid-tempo track with a groovy bassline and airy backing vocals. Balancing retro sensibilities with a modern, radio-ready feel, it conveys a mix of intensity and lightness. The lyrics capture a sense of an impending end, a world seemingly on the verge of collapse, while reflecting on what remains — the traces of love, memory, and human connection amidst the chaos. The music evokes energy, warmth, and a subtle sense of inevitability. « The End Of The World » by Skeeter Davis meets « Back on 74 » by Jungle.
3. CLOSER
Closer is a tense and multifaceted track, balancing calm and anger, with guitar and synth layers supported by a driving drum and tambourine keeping steady time. Lyrically, it explores the fear of solitude, the anxiety of losing deep connections, and the unsettling shift from intimacy to estrangement. The track was conceived as a potential album or live opener, blending acoustic, woodsy percussion with moments of spectacular rock distortion, creating a rich, dynamic journey that moves in several directions. « A&W » by Lana Del Rey meets « White Rabbit » by Jefferson Airplane.
4. GENUINE
Genuine is a playful, aquatic-sounding track, where detuned guitars, melodic bass, vibraphone, mellotron, and organ create a languid yet danceable flow. The lyrics tell the story of a solitary man discovering how the love he seeks makes him feel truly alive. Visually, the track evokes underwater scenes — ocean waves, shells, and fish — with a whimsical, almost childlike sense of wonder. « Octopus’ Garden » by The Beatles meets « Forever Dolphin Love » by Conan Mockasin.
5. KILLING YOU
Killing You is an intimate, reflective track, written in just two hours after a night of deep conversation with friends. Its lyrics explore the complexities of love, self-doubt, and the desire to become a better person, even when change feels impossible. The music carries a contemplative yet warm energy, blending personal vulnerability with approachable indie pop textures. « White Gloves » by Khrungbin meets « Playground Love » by Air.
6. VIBRATIONS
Vibrations is an incandescent and urgent track, propelled by soaring lead vocals and layered backing harmonies. Fast-paced and full of movement, it conveys the tension of seeking to be seen in a world that feels indifferent. Cinematic in scope, the track evokes warm, Technicolor landscapes reminiscent of Morricone-inspired spaghetti westerns, highlighted by a soprano solo that soars over the instrumentation, adding drama and intensity. As the most time-consuming track to produce, it carries a sense of relentless exploration, a piece that feels as if it’s never truly finished. « Good Vibrations » by The Beach Boys meets « Hot Dreams » by Timber Timbre.
7. GUILTY
Guilty is a dark, energetic, and noisy track, driven by retro synths and a tense, fast-paced drumbeat. Its lyrics evoke a sense of freedom and release — the urge to jump, dance, and let go. Visually, the track conjures a gritty 1970s cityscape, neon-lit and textured, full of movement and energy. Having taken time to find its final form, Guilty is designed to hit hard in a live setting, making it a powerful closer for any set. « Taxi’s Here » by Tame Impala meets « Live Forever » by Sharon Van Etten.